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Guild Reviews

Image of scene from the film Kantara A Legend: Chapter 1
FCG Rating for the film
Kantara A Legend: Chapter 1

Action, Thriller (Kannada)

Exploring the origins of Kaadubettu Shiva during the Kadamba dynasty era, it delves into the untamed wilderness and forgotten lore surrounding his past.

Cast: Rishab Shetty, Rukmini Vasanth, Jayaram, Rakesh Poojari, Gulshan Devaiah, Pramod Shetty, Prakash Thuminad
Director: Rishab Shetty
Writer: Rishab Shetty, Anirudh Mahesh, Shanil Gowtham


FCG Member Reviewer Suhani Singh
Suhani Singh | India Today
Why Kantara was better than Kantara: Chapter 1

Tue, October 7 2025

The second instalment of Rishab Shetty's blockbuster franchise aspires to do too much more but fails to match the authenticity of his 2022 opus.

Filmmaker-actor Rishab Shetty had set himself a lofty task after the unprecedented blockbuster success of Kantara (2022), particularly in its Hindi-dubbed version. Much like Prashanth Neel (KGF, 2018-22) and Sukumar (Pushpa, 2021-24), Shetty, too, expanded the universe of his pan-India franchise. Only instead of going forward, he chose to go back in time to establish the origins.

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FCG Member Reviewer Deepak Dua
Deepak Dua | Independent Film Journalist & Critic
रहस्यमयी मधुबन में ले जाती ‘कांतारा-चैप्टर 1’

Tue, October 7 2025

तीन साल पहले कन्नड़ से हिन्दी में डब होकर आई थी ‘कांतारा’। एक लोक-कथा के मिश्रण में मूल निवासियों के जंगल पर अधिकार के संघर्ष, अमीर-गरीब और ऊंची-नीची जाति के भेदभाव और दैवीय न्याय को दिखाती वह फिल्म सीक्वेल की संभावना के साथ खत्म हुई थी। लेकिन जब इसके निर्देशक-अभिनेता ऋषभ शैट्टी ने ऐलान किया कि वह उसका सीक्वेल नहीं बल्कि प्रीक्वेल लाएंगे तो उत्सुकता और बढ़ गई थी। अब आई ‘कांतारा-चैप्टर 1’ उस बढ़ी हुई उत्सुकता को पूरी तरह से शांत करती है।

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FCG Member Reviewer Kshitij Rawat
Kshitij Rawat | Lifestyle Asia
What happens to Berme in the end?

Mon, October 6 2025

Kantara: Chapter 1 ends in a divine showdown. It offers nexpected twists to hints of larger battles ahead, the finale sets the stage for an even bigger story to unfold.

There are films that end with closure, films that end with questions. And then there’s Kantara: Chapter 1, which ends with a divine tiger, a scheming princess, a possessed king, and Rishab Shetty turning into a ball of fire before shapeshifting into a goddess’s wrath. Yes, subtlety packed its bags early in this movie. And chances are you walked out of the theatre blinking and muttering, “Wait, what just happened?”

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Image of scene from the film Sharp Corner
Sharp Corner

Thriller, Comedy (English)

A dedicated family man becomes obsessed with saving the lives of the car accident victims on the sharp corner in front of his house – an obsession that could cost him everything.

Cast: Ben Foster, Cobie Smulders, William Kosovic, Gavin Drea, Emily Jewer, Susan Leblanc-Crawford, Sebastien Labelle, Rudy Harris, Isabelle MacNeil, Eugene Sampang
Director: Jason Buxton
Writer: Jason Buxton


FCG Member Reviewer Priyanka Roy
Priyanka Roy | The Telegraph
An edgy psychological thriller that scores for refusing to explain itself

Tue, October 7 2025

Ben Foster knows a thing or two about playing men on the edge. In Sharp Corner, the actor takes a detour from the fast lane that he normally operates in for a deeply internalised portrayal of a husband and father whose seemingly perfect life unravels in a manner that calls for some taut, heart-pounding moments.

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Image of scene from the film Sunny Sanskari Ki Tulsi Kumari
FCG Rating for the film
Sunny Sanskari Ki Tulsi Kumari

Romance, Comedy (Hindi)

Two former lovers in Delhi try to rekindle old flames, leading to amusing mix-ups and deceptions. As chaos unfolds, a new unexpected romance blooms. Who will find their happy ending amid the confusion?

Cast: Varun Dhawan, Janhvi Kapoor, Sanya Malhotra, Rohit Saraf, Maniesh Paul, Akshay Oberoi, Nishigandha Wad, Neeraj Sood, Abhinav Sharma, Manini Chadha
Director: Shashank Khaitan
Writer: Shashank Khaitan


FCG Member Reviewer Arnab Banerjee
Arnab Banerjee | Indpendent Film Critic
(Writing for The Daily Eye)
Bollywood Comfort Food, Reheated with Extra Ghee (and a Side of Confusion)

Tue, October 7 2025

A formula-driven rom-com that leans on wedding chaos, familiar tropes, and half-hearted feminism-lite, Sunny Sanskari Ki Tulsi Kumari serves up Bollywood comfort food—warm, familiar, but undeniably stale.

Can two ex-lovers rekindle an old flame, amicably, no less? Even if it involves impersonations, preposterous plans, and enough emotional confusion to make Freud reconsider his career path? Of course they can—especially if they’re in a 135-minute Bollywood rom-com, a genre that continues to churn like a butter factory run by hopeless romantics. Now, while global cinema gallops into bold territories—where genre-bending narratives and offbeat themes are embraced with open arthouse arms—our beloved Hindi films remain steadfast in their commitment to unearthing every last angle of the same timeless theme: love.

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FCG Member Reviewer Saibal Chatterjee
Saibal Chatterjee | NDTV
Varun Dhawan-Janhvi Kapoor's Film Is More Froth Than Fizz

Mon, October 6 2025

Janhvi Kapoor skirts around the pitfalls and provides the film its more sprightly moments

Love makes the world go round in confoundingly concentric circles in Sunny Sanskari Ki Tulsi Kumari. Given full on flippant treatment, the caprices and convolutions of the Varun Dhawan-Janhvi Kapoor starrer have a free run of the field. The film revolves around four young people who are surrounded by families at variance with their choices. The quartet finds itself on a wild merry-go-round of break-ups, hook-ups and matrimonies.

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FCG Member Reviewer Suhani Singh
Suhani Singh | India Today
Why Dharma's new 'love rectangle' falls flat

Mon, October 6 2025

Sunny Sanskari ki Tulsi Kumaari has its comic moments, but feels overwhelmingly familiar and less appealing than others of its kind from the Dharma stable.

There’s a moment of great wisdom in Sunny Sanskari ki Tulsi Kumaari (SSKTK) as a father tells his daughter, a teacher no less, of the great significance of self-respect in relationships as well as in life. The father then disappears, never to be seen. The daughter hearing the pep talk intently is Ananya (Janhvi Kapoor) who is on her way to attend the wedding of her ex Vikram’s (Rohit Saraf) in Udaipur. The next 100 minutes or so she spends entirely negating what her dad spoke about as she pretends to be in love with Sunny (Varun Dhawan) who is there to break-up Vikram’s wedding with his own ex Ananya (Sanya Malhotra). The jilted lovers hope their amorous antics would make their exes jealous and eventually return to them.

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Image of scene from the film Chainsaw Man - The Movie: Reze Arc
Chainsaw Man - The Movie: Reze Arc

Animation, Action, Fantasy (Japanese)

In a brutal war between devils, hunters, and secret enemies, a mysterious girl named Reze has stepped into Denji's world, and he faces his deadliest battle yet, fueled by love in a world where survival knows no rules.

Cast: Kikunosuke Toya, Reina Ueda, Shiori Izawa, Tomori Kusunoki, Shogo Sakata, Fairouz Ai, Karin Takahashi, Natsuki Hanae, Yuuya Uchida, Maaya Uchida
Director: Tatsuya Yoshihara


FCG Member Reviewer Upma Singh
Upma Singh | Navbharat Times
ऐक्शन-एडवेंचर के साथ इमोशन का परफेक्ट तड़का

Sun, October 5 2025

हॉलीवुड और साउथ की फिल्मों के बाद अब एक नए किस्म का सिनेमा बॉलीवुड को टक्कर देने सिनेमाघरों में दस्तक दे चुका है। यह नया फॉर्मेट है, जापान की धरती से पूरी दुनिया के Gen Z दर्शकों को अपने मोहपाश में बांधने वाला एनिमे। हाल ही आई एनिमे फिल्म ‘डेमन स्लेयर: इन्फिनिटी कैसल’ के बॉक्स ऑफिस पर धमाल मचाने के बाद अब इस शुक्रवार, एक नई एनिमे फिल्म ‘चेनसॉ मैन- द मूवी: रेज़े आर्क’ थिएटर में पहुंच चुकी है।

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Image of scene from the film Steve
Steve

Drama, Comedy (English)

Over one intense day, the devoted head teacher of a last-chance reform school strives to keep his students in line while facing pressures of his own.

Cast: Cillian Murphy, Tracey Ullman, Jay Lycurgo, Little Simz, Douggie McMeekin, Youssef Kerkour, Roger Allam, Emily Watson, Archie Fisher, Araloyin Oshunremi
Director: Tim Mielants


FCG Member Reviewer Rahul Desai
Rahul Desai | The Hollywood Reporter India
(Writing for OTT Play)
Cillian Murphy’s Steve Does The Job

Sat, October 4 2025

It’s an all-time performance by Murphy, who somehow stages Steve as both victim and survivor in a setting that democratises the nature of suffering.

STEVE opens with a 48-year-old man (Cillian Murphy) on his way to work. He’s full of nervous energy. The way he’s psyching himself up, you’d think he’s going to war. It’s going to be a long and complicated day. He knows it, not because the film revolves around this day, but because it’s just another day. The moment Steve reaches work, the war begins. As the headteacher of a school of reform for troubled boys, he is pulled into the quotidian mayhem of his ‘job’. The students of Stanton Wood are already at it: Jamie and Riley are fighting like animals again, Tarone is provoking everyone, Shy is brooding and simmering after a heartbreaking phone call with his mother. It’s 1996, and the heavy-metal emotions of youth clash with the hard-rock resilience of adulthood. Steve tries to calm them down, assuage them, warn them, banter with them; he’s everywhere and nowhere.

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Image of scene from the film Idli Kadai
Idli Kadai

Action, Drama (Tamil)

A simple man's search for success leads him to rediscover his roots

Cast: Dhanush, Rajkiran, Arun Vijay, Nithya Menen, Sathyaraj, Shalini Pandey, Vadivukarasi, Samuthirakani, Ilavarasu, R. Parthiban
Director: Dhanush
Writer: Dhanush


FCG Member Reviewer Avinash Ramachandran
Avinash Ramachandran | The New Indian Express
A comfort meal that is warm, familiar, but overcooked

Sat, October 4 2025

FCG Member Reviewer Sudhir Srinivasan
Sudhir Srinivasan | The New Indian Express
The Long Review

Sat, October 4 2025

FCG Member Reviewer Janani K
Janani K | India Today
Melodrama peaks in Dhanush's middling drama on homecoming

Thu, October 2 2025

Written, directed, and acted by Dhanush, 'Idli Kadai' is a family drama about homecoming and choosing non-violence to fight your battles. The film has the right messaging, but melodrama and predictability weigh it down.

Dhanush, as an actor and director, has a strong track record of producing heartwarming family dramas. From ‘Velaiyilla Pattadhari’ to ‘Thiruchitrambalam’, many films from his filmography have that recall value that makes for a perfect weekend watch. Dhanush is now back with ‘Idli Kadai’, his fourth directorial venture that promises another solid drama packed with emotions.

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Image of scene from the film I Poppy
I Poppy

Documentary (Hindi)

The divergent paths of poppy farmer Vardibai and her activist son Mangilal intertwine in this powerful documentary about a Dalit family’s resistance against systemic oppression.


Director: Vivek Chaudhary
Writer: Vivek Chaudhary


FCG Member Reviewer Rahul Desai
Rahul Desai | The Hollywood Reporter India
Vivek Choudhary’s Sharply Observed Film Is One of the Finest This Year

Fri, October 3 2025

Vivek Choudhary’s powerful 75-minute documentary took the Best International Feature at 2025 Hot Docs and won the Busan Cinephile Award

I, Poppy follows an old poppy farmer and her troubles with a ‘wayward’ adult son. Like several others in her Rajasthani village, Vardibai Meghwal owns a patch of land and a poppy-farming license. She is a grassroots supplier of opium, the precious Black Gold that contains morphine used in both medicinal and illegal drugs. The trade is far from profitable, but she perseveres; she cannot afford to worry about moral implications. Her grandsons help her toil in the field. But Vardibai considers her son, Mangilal, a liability for not entering the family business, slacking on his teaching job and barely contributing to household expenses. The situation is dire. Mangilal is an addict who, according to his mother, needs to be cured and controlled and rehabilitated. He is amused by her taunts; he’s never at home, always distracted by hallucinations of an alternate reality.

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Image of scene from the film The Game You Never Play Alone
The Game You Never Play Alone

Crime, Mystery (Tamil)

A career-driven game developer fights back against misogynistic expectations after she becomes the target of brutal attacks online and in real life.

Cast: Shraddha Srinath, Santhosh Prathap, Viviya Santh, Syama Harini, Hema


FCG Member Reviewer Aditya Shrikrishna
Aditya Shrikrishna | Independent Film Critic
Tries To Be Serious, But Ends As A Parody

Fri, October 3 2025

The Game wants to comment on the internet, cybercrime, privacy laws, misogyny and sexism, but really knows nothing about any of them. Shoddy filmmaking and performances only make it worse.

THE GAME: YOU NEVER PLAY ALONE is ominous not only in its title but also in its inaugural stature as Netflix India’s first Tamil original of the year. So far, Netflix has mostly dabbled in anthologies in Tamil; web series are a rarity. The world of web series is slow to take off in South India owing to factors like budget constraints, the scepticism about streaming within the film industries, and operational reasons from writing to production. It’s still at a nascent stage, even as OTT platforms introduce new series in several south Indian languages, and streaming itself is undergoing a churn in how it is viewed and operated. At this time comes The Game, a Tamil series starring Shraddha Srinath and Santhosh Prathap, written by Deepthi Govindarajan and directed by Rajesh M Selva. It takes long form’s trusted entry-level genre — thriller — and encapsulates it within a game developer’s world where digital objects become as much of a minefield as real life.

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FCG Member Reviewer Suchin Mehrotra
Suchin Mehrotra | The Hollywood Reporter
Derivative and underwhelming

Fri, October 3 2025

Image of scene from the film 13th
13th

Drama (Hindi)

13th tells the story of Ritesh, a successful venture capitalist who reunites with his maverick IIT-JEE mentor, Mohit Tyagi Sir, to help scale his visionary educational institute. The series unfolds against the backdrop of India's most gruelling academic competition and a startup culture fixated on valuations. At its heart, 13th is a deeply nostalgic, human story of a master and his pupil-bound by ambition, respect, and the lessons that shape a lifetime.

Cast: Gagan Dev Riar, Paresh Pahuja, Girija Oak, Pradnya Motghare, Abhishek Ranjan, Jai Kishan
Director: Nishil Sheth
Writer: Sameer Mishra


FCG Member Reviewer Upma Singh
Upma Singh | Navbharat Times
सबक सॉलिड, मगर सीरीज साधारण

Thu, October 2 2025

गुरु गोविंद दोऊ खड़े काके लागू पाय, बलिहारि गुरु आपनो गोविंद दियो बताय… एक बच्चे के जीवन में गुरु का क्या स्थान होता है, यह संत कबीर दास ने इस दोहे में बखूबी बता दिया था। वाकई एक सच्चा गुरु अपने शिष्य के जीवन की दिशा बदल सकता है। एक ऐसी ही गुरु-शिष्य की जोड़ी की कहानी पर बनी है, ‘13वीं: सम लेसन्स आर नॉट टॉट इन क्लासरूम्स’वेब सीरीज। जैसा कि शीर्षक से ही साफ है कि सारे सबक क्लासरूम में नहीं सिखाए जाते, यह सीरीज इंसान को डर, असुरक्षा, ईष्या, घमंड जैसी उन कमियों से निपटना सिखाती है जो किसी किताब से नहीं सीखा जा सकता।

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FCG Member Reviewer Rahul Desai
Rahul Desai | The Hollywood Reporter India
Another Brick in the ‘Kota Factory’ Wall

Thu, October 2 2025

The TVF-coded drama about a former student and his mentor launching an ed-tech startup has the personality of an algorithm

Inspired by the real-life journey of educator Mohit Tyagi and his platform Competishun, 13th is a five-episode drama about a venture capitalist who quits his job to help his former mentor build an ed-tech startup. It is composed of two timelines around a decade apart: the struggle of cocky IIT-JEE aspirant Ritesh (Paresh Pahuja) under the tutelage of crowd-favourite MT Sir (Gagandev Riar) is intercut with the struggle of corporate star Ritesh teaming up with a vintage MT Sir to turn this vision into a unicorn. The protege and teacher trade roles across phases; Ritesh chooses to ‘invest’ in Mohit the way he once invested in him. The ominous-sounding title refers to the term used for students who take a drop year after their 12th to prepare for the JEE entrance exam — like Ritesh does in Kota in 2005, but also like he figuratively does after getting disillusioned with startup culture years later.

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Image of scene from the film Balti
FCG Rating for the film
Balti

Action, Drama, Romance (Malayalam)

A star kabaddi player's life takes a dangerous turn when he's pulled into the criminal underworld.

Cast: Shane Nigam, Shanthanu Bhagyaraj, Preethi Asrani, Shiva Hariharan, Alphonse Puthren, Selvaraghavan, Poornima Indrajith, Jeckson Johnson, Asha Madathil Sreekanth, Akshay Radhakrishnan
Director: Unni Sivalingam
Writer: Unni Sivalingam


FCG Member Reviewer Vishal Menon
Vishal Menon | The Hollywood Reporter India
Blockbuster Moments In A Surprisingly Well-Done Tamil-Malayalam Hybrid

Thu, October 2 2025

With excellent performances from the ensemble cast, 'Balti' is the work of a director who lives and breathes masala cinema in Unni Sivalingam

Set in the one of the border towns of Palakkad, bang in the middle of both Kerala and Tamil Nadu, is a surprising film that borrows its sensibilities from both Malayalam and Tamil cinema. The writing, about four young kabaddi players and how they’re slowly absorbed into the world of crime and corruption, feels planted and subtle, like a solid Malayalam slowburn. But the colours of these scenes are dynamic, the sounds loud, and its treatment a lot like that of the rooted Tamil cinema of the 2000s.

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FCG Member Reviewer Janani K
Janani K | India Today
Shane Nigam, Shanthanu's promising crime drama drowns in cliches

Sat, September 27 2025

'Balti' is an action drama starring Shane Nigam and Shanthanu Bhagyaraj. While its dynamic characters are intriguing, the film ultimately suffers from overused cliches and a predictable storyline.

‘Balti’ opens with a gory murder and the four friends, who meticulously plan and commit the crime. Minutes after the crime, they quickly change their outfits and take part in a temple ritual. With pulsating music from the find of this decade, Sai Abhyankkar, the film grabs your attention from the first frame. But, does it hold your attention throughout? Let’s find out!

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FCG Member Reviewer S. R. Praveen
S. R. Praveen | The Hindu
Action papers over clichés and patchy writing

Sat, September 27 2025

In ‘Balti,’ starring Shane Nigam, Shanthnu Bhagyaraj, and Preethi Asrani, an unending stream of well-staged action sequences barely keeps afloat a plot lacking any novelty

Balti comes accompanied with the tag of a ‘sports action film’, with Kabaddi being the sport in the spotlight. For a while in the beginning, debutant filmmaker Unni Sivalingam appears to be keen on living up to this tag, serving us some intensely fought and tastefully shot Kabaddi matches. But by the halfway point, Kabaddi gets firmly pushed to the background, only for a glimpse of it to be shown in the epilogue.

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Image of scene from the film They Call Him OG
FCG Rating for the film
They Call Him OG

Action, Thriller (Telugu)

After vanishing from Mumbai's underworld for a decade, mob boss Ojas Gambheera resurfaces—feared, unstoppable, and with a single goal: to reclaim his empire and exact vengeance on the current tyrant, Omi Bhau. As loyalties fracture and alliances shift, OG reignites a brutal criminal war, confronting both external threats and haunting buried betrayals.

Cast: Pawan Kalyan, Emraan Hashmi, Priyanka Arul Mohan, Prakash Raj, Sriya Reddy, Arjun Das, Ajay Ghosh, Rajendran, Jeeva, Harish Uthaman
Director: Sujeeth
Writer: Sujeeth


FCG Member Reviewer Saibal Chatterjee
Saibal Chatterjee | NDTV
Expect A Pawan Kalyan Show And Nothing Much

Tue, September 30 2025

The Telugu superstar goes full tilt at powering an erratic screenplay that delivers an abundance of superficial style

Another southern superstar vehicle that alternates between soaring high and sputtering cumbersomely, They Call Him OG does not go completely off the rails thanks to the kinetic power that lead actor Pawan Kalyan lends the film. The Telugu superstar goes full tilt at powering an erratic screenplay that delivers an abundance of superficial style. The film has plenty of arrows in its quiver but all of them hit their intended targets. But if you are a Pawan Kalyan fan, that lacuna is unlikely to take anything away from the sheen that the star possesses.

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FCG Member Reviewer Janani K
Janani K | India Today
Invincible Pawan Kalyan lifts film with unmatched aura

Sat, September 27 2025

Director Sujeeth's 'They Call Him OG' is a fan-service to Power Star Pawan Kalyan. The gangster drama, with a Japanese connection, has redundant ideas but is lifted by rousing elevation sequences.

All the superstars of Indian cinema share one thing in common: a remarkable screen presence. All it takes is for them to come on screen and blow us away with just one glance. Telugu superstar Pawan Kalyan, fondly known as Power Star by his fans, is one such actor whose antics are enough to set the screen ablaze. For his fans, director Sujeeth’s ‘They Call Him OG’ is a film that promises to satisfy all their cravings.

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FCG Member Reviewer Sudhir Srinivasan
Sudhir Srinivasan | The New Indian Express
Driven by star power, swagger, and an audacious aesthetic.

Fri, September 26 2025

Image of scene from the film Bad Girl
FCG Rating for the film
Bad Girl

Romance, Drama (Tamil)

From her journey through high school and college, then out into the wider world, Ramya’s dream of finding the perfect guy is obstructed by societal mores, strict parents, unrequited love and the untrammeled chaos of her own mind.

Cast: Anjali Sivaraman, Shanti Priya, Hridhu Haroon, Teejay, Sashank Bommireddipalli, Saranya Ravichandran
Director: Varsha Bharath
Writer: Varsha Bharath


FCG Member Reviewer Rohit Khilnani
Rohit Khilnani | Bollywood Hungama

Tue, September 30 2025

FCG Member Reviewer Ajay Brahmatmaj
Ajay Brahmatmaj | CineMahaul (YouTube)

Fri, September 26 2025

FCG Member Reviewer Deepak Dua
Deepak Dua | Independent Film Journalist & Critic
ठेंगा दिखाती ‘बैड गर्ल’

Thu, September 25 2025

एक लड़की है स्कूल में जिसके लिए ब्वॉय फ्रैंड बनाना पहली प्राथमिकता है। उसकी मां उसी स्कूल में टीचर है लेकिन वह लड़की रूल्स तोड़ना अपना हक समझती है। पढ़ाई की बजाय उसका ध्यान लड़कों में रहता है। मां-बाप समझाते हैं तो वह उन्हें धमकियां देती है। स्कूल के बाद कॉलेज, कॉलेज के बाद नौकरी करते हुए भी वह बदलती नहीं है। नियमों और परंपराओं से बगावत उसकी फितरत है। लोगों की नज़रों में ऐसी लड़कियां खराब होती हैं। वह भी ‘बैड गर्ल’ है। लेकिन अपनी नज़र में वह सही है, बिल्कुल सही।

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